Time and words escape me (Oct 6, 2016)
To tap into that dormant spirit.
Catch a breath between the outrages.
To try and fix many things may lead to burn out.
Relative to me. Still, I mustn’t grumble.
I’m coming through, we have reception.
There is something important to be said.
It’s been a while between posts. That is often a sign I’ve had a lot on. It’s seems rather daunting to try and catch you up to date with what’s been happening, so instead, maybe go check out my Facebook artist page and ‘Like’ it, if in fact you do. It is set to ‘Public’ so I believe that means even if you aren’t on Facebook you should be able to view it. I can quickly and easily do updates on there, though with a little less elegance than the newsletter or a blog post, but the info and often an image or two.
It’s at: http://www.facebook.com/mattwarrenartist/
So in the meantime a number of things have been keeping me busy and creative.
I’ve been doing multiple things with the Unconscious Collective.
The most urgent to mention perhaps is our work for the upcoming festival in Queenstown, Tasmania next week called The Unconformity.
We have created a pop up radio station called 7UN which will be broadcast in glorious mono on the AM band, 1485 on your dial within quite a few kms of downtown Queenstown. For those of you not so close, it will also be streamed live online in crystal clear stereo via: http://www.7un.co/
You can also find the schedule there and all the info you should need there as well.
We are happy to officially announce that our studio will be based at the wonderful Paragon Theatre, which was the original home of local station 7QT many years ago.
Also part of Unconformity, myself with Unconscious Collective have been co-producing with the good folks at Liquid Architecture something called Flux, a live sound environment in the old limestone Quarry.
I’ve done some minor, co-curating and co-ordinating of some of the live performers in Flux, but also creating some sound design that contributes to the aural environment of the space. Along with performing a live installed sound work, Brendan Walls has also contributed to the sound design.
With Unconscious Collective’s Michelle Boyde & David Patman physical design, Jason James’ lighting design, my sound design and the live performances and interventions overseen by Liquid Architecture, Flux should really be something.
Speaking of Queenstown, what’s going on here?(!)
Another ongoing project with the Unconscious Collective has been Hypnapod.
It’s seen a couple iterations so far, including one at the M-Pavillion in Melbourne, but we are currently working on a version called Colloquy Of Hearts for the Menzies Institute in Hobart. Stay tuned for more details as we get closer to finishing.
Also coming up:
I’m very pleased to be included as a finalist with such good company in Devonport Regional Gallery‘s biennial “Tidal: City Of Devonport National Art Award”. The exhibition of works opens on November 25 at 6:30pm and continues until January 29, 2017
“The Tidal: City of Devonport National Art Award is a biennial, acquisitive award. Artists residing in Australia are invited to submit 2-dimensional artworks that reflect on tidal – the natural, cultural, personal or political concerns related to the sea and coastal regions.”
I’ve recently submitted an entry into the Digital Portraiture Award.
As of this writing I don’t know if I’ve been accepted, but thought I’d show a couple of stills from the video, self portrait called The Blind Constitution.
That’s it for now. Take care all, see you around.